TOW 21: Visual Ad

           As a coalition between the two countries during the early 1990s, this advertisement was published in numerous magazines in both Japan and the United States with the short phrase "even our art begins to look less beautiful. End water pollution." With this, the objective of the image is fairly clear -- to convince its viewers to end water pollution before its too late. It's method of presenting this argument, however, is quite interesting indeed. It is obviously  reference to the famous Japanese painting, "The Wave" and so its reference to the damage done to artwork across the world is prevalent. The actual makeup of the image itself, is also what makes it such a powerful piece. Much like the original painting (woodblock) itself, the power is held in the artistic techniques of the author.
         The power of the image comes from first from the use on contrasting colors to break up the image. The deep blue of the background and of the wave itself, contrast deeply with the images of the boats and especially of Mount Fuji in the back. This allows the image to really tell a whole story, describing the setting and the events that take place in the scene. Of course, this would all be amiss if no to mention the obviously misplaced imagery of trash filling the ocean. This causes an emotional appeal to the viewers of this image, causing a powerful call for change regarding the situation. Another similarly important aspect to the image is it perspective. The wave itself seems to be in the foreground do to its forced perspective compared to the mountain, however, it is not merely the wave that appears to be the focal point, but rather, the trash that is within it. Unlike the original picture, the focal point seems to be focused on what is in the water rather than what is beyond it, namely, Mt. Fuji.

TOW #20: The Pursuit of Beauty

      In his article in the New York Time's, author Alec Wilkinson explores the implications of what it means to do what you love -- what makes it beautiful to you. He takes an interesting stance on a topic which has been discussed for years; exploring its implication on a truly different level. For his own article, he explores the idea of "beauty" through mathematics. He reveals to the audience that he had "only passed high school math because he cheated" -- an effective method to bring readers to a closer level to his narration. In doing so, he then explains the significance of  a man he met through his daughter who was nothing short of mathematical genius, successfully solving an equation which had remained unsolved for over 20 years. This transitions him to the idea of number theory, a branch of pure mathematics that truly and completely serves no purpose whatsoever. What it did provide people who were involved, however, was a complete satisfaction in the use of numbers sequences. He ties it back to the the mathematician aforementioned, Ytang Zhang, in how his had particularly felt after solving the equation. He described it as an "exile from this dreary world", something that "he was passionate about, without completely understanding why".
      All of which lead Wilkinson to his ultimate conclusion regarding beauty. It ultimately is in the eye of the beholder and it is ultimately how it makes one feel that indicates its true beauty. The fact that the author utilized the idea of solving math problems to describe the ambiguity of beauty is extremely effective. After all, for many, and obviously for the author himself, the idea of solving math problems is the last thing that would be considered beautiful.

TOW #19: Half the Sky

         Interestingly enough, the main argument in this book is presented early within its pages in a very similar manner to Declaration of Sentiments we read in class. Like this speech, the claim is proven deductively, through the presentation of "known truths" and the consequences of said truth. Then, for the rest of the early chapters, gives evidence to inductively support the claim that was put forth earlier. It begins with an admittedly basic concept; the true and all too often ignored fact that there is a rampant oppression of women and girls in the developing world and that this oppression is indeed a violation of human rights. The book goes on to explain this country's high value in human rights, and how this is the very thing that was seen to give "birth to the United States" (43). With this provided knowledge to the subject -- the major premise -- the book goes on to explain that when human rights are in violation and a group of individuals is being oppressed, it is the duty of the others to rise to the occasion and take action against it. This premise too is supported by a myriad of examples in American history, starting with the initial Declaration of Independence, to the Emancipation Proclamation, and the more recent struggle for civil liberty. Using these examples provides a strong credibility to the general truth they use for the rationale in their argument.
         The earliest chapters (the first five that I read) fulfill the same role as the bulleted points in both the Declaration of Independence and Declaration of Sentiments -- to inductively prove that the minor premise of the general truth applies here and now. To do this the authors must provide evidence of human right violations in the form of women's oppression. In chapter 1, this is explored through the life of a Cambodian girl who was sold into sex slavery and in chapter 2, with an Ethiopian woman who faced devastating injuries for her pregnancy. These (and many more) prove the general truth is in fact applicable, and therefore, action is necessary. This is ultimately the main goal of the book -- to encourage a global call to arms against the oppression of women.